The Concours of Elegance at Hampton Court Palace is one of the most prestigious events in the international classic car community, and A. Lange & Söhne has proudly been a Presenting Partner since 2018. Displayed in the magnificent palace gardens, around 60 stunning classic cars again delighted scores of motoring enthusiasts from around the world.

Appreciation of motorised cultural assets

Once again, the festivities culminated with the presentation of the ‘Best of Show’ award on Sunday, which Lange CEO Wilhelm Schmid presented to the owner of a Mercedes-Benz SSK Roadster from 1928. Mr Schmid also honoured the winner of the ‘Thirty Under 30’ category for his 1972 Lamborghini Espada. With these awards, the German manufacture celebrates the commitment to preserving masterpieces of automotive engineering for future generations. Like the mechanical timepieces from A. Lange & Söhne, they are a testament to outstanding engineering and a passion for perfecting every detail to the highest standards of craftsmanship and precision.

Exquisite classics with a new twist

The special atmosphere at the Concours of Elegance provided a fitting setting for the presentation of a selection of timepieces from A. Lange & Söhne, offering visitors an exclusive glimpse into the brand’s world. Highlights included new model versions of the TRIPLE SPLIT and the 1815 UP/DOWN, both of which were unveiled for the first time during the Concours weekend.

With its ability to measure intermediate times and comparative times over a period of up to twelve hours, the TRIPLE SPLIT – first introduced in 2018 – is still in a league of its own to this day. The mechanical excellence of the split-seconds chronograph, boasting a flyback function and technically elegant design, is particularly striking in this platinum edition, limited to 100 pieces and featuring a silver-coloured dial.

With its design inspired by historic Lange pocket watches and featuring a meticulously crafted manufacture calibre, the 1815 UP/DOWN embodies the manufacture’s commitment to ‘never stand still’. Echoing the style of a fuel gauge, its power-reserve indicator shows the remaining spring force inside the movement. Two special editions, each limited to 300 pieces and crafted in 750 pink and white gold, now complete the watch series.

Watchmaking artistry on a grand scale and on a small scale

In the A. Lange & Söhne exhibition area, a model of the DATOGRAPH, standing a good three metres tall, caused quite a stir. Since the DATOGRAPH made its debut in 1999, A. Lange & Söhne has introduced 13 groundbreaking models featuring a stopwatch function. Each one is fitted with a bespoke manufacture calibre and reflects the manufacture’s exceptional expertise in the development and production of chronographs.

Whilst the giant watch showcased Lange’s watchmaking artistry from afar, a glimpse into the work of a finisher revealed the dedication and precision with which these distinctive details are crafted within the tiniest of spaces. Visitors were able to watch the finisher at work as she engraved a balance cock. The intricate floral motifs on this tiny component make every Lange watch a unique work of art.

‘No car is meant to just sit in the garage. The Concours of Elegance is a place where these automotive masterpieces can not only be admired, but also experienced,’ says Lange CEO Wilhelm Schmid. ‘The same is true of our watches: their special allure only becomes apparent when you hold them in your hands and hear their gentle ticking. The Concours brings these two worlds – classic cars and our mechanical timepieces – together in a unique way. What they have in common: tradition, craftsmanship and timeless design.’

Since its launch in 2018, the TRIPLE SPLIT has defended its unique position in the field of mechanical chronographs: it is the only split-seconds chronograph in the world that can measure intermediate, comparative and overall times for as long as twelve hours. The first model version in 750 white gold with a grey dial was followed by a timepiece in 750 pink gold with a blue dial, presented in 2021. The range is now enriched with a third edition, also limited to 100 pieces, featuring a platinum case and a rhodié-coloured dial, graced with contrasting grey auxiliary dials.

Two additional dimensions in short-time measurement

Thanks to the extension of the rattrapante function to minute and hour counters, the chronograph can measure times from one minute up to twelve hours, thus considerably enlarging the range of applications. For instance, during a marathon, the TRIPLE SPLIT can record the intermediate times of any number of runners (for example, after 10, 20 or 30 km) and determine the winner’s time as well as a second overall time. It also covers other interesting possibilities during a journey with a classic automobile. Multiple intermediate times can be measured, for instance at specific locations such as the head of a pass or a leg of the journey. Moreover, with the option of additive time measurement, the entire driving time of the trip can be established while taking into account possible breaks or standing times.

Additionally, the TRIPLE SPLIT boasts a flyback function. It allows stopping an ongoing time measurement with only a single actuation of the pusher at 4 o’clock, resetting all currently active chronograph and rattrapante hands to zero, and instantly restarting a new measurement by releasing the pusher.

Functioning of the TRIPLE SPLIT

A split-seconds chronograph has a mechanical storage, which allows the recording of intermediate times without interrupting an ongoing measurement. Whereas a classic split-seconds chronograph can perform intermediate and comparative time measurements of up to 60 seconds, the TRIPLE SPLIT is equipped with two additional rattrapante hand pairs for measuring minutes and hours.

In the passive mode, the three blued rattrapante hands are superposed with the respective rhodiumed chronograph hands. As soon as the measurement is started by actuating the pusher at 2 o’clock, they all begin to run simultaneously and synchronously until the rattrapante pusher at 10 o’clock is pressed to freeze an intermediate time. Then, the three blued rattrapante hands stop to display the intermediate time while the chronograph hands continue to run and measure the time. A second actuation of the rattrapante pusher causes the rattrapante hands to catch up with the chronograph hands and continue to run synchronously with them.

Lucidly structured dial design

The dial configuration, with its well-balanced hierarchy of displays, reflects the technical complexity of the TRIPLE SPLIT with exactitude. The largest display surface on the main dial is allocated to the chronograph and rattrapante seconds hands. The auxiliary dial at 4 o’clock is assigned to the precisely jumping minute counters that instantaneously advance by one increment – precisely after one minute has elapsed.

The display for the hour counters at 12 o’clock is slightly smaller while the Lange-typical UP/DOWN power-reserve indicator is located opposite at 6 o’clock: it occupies the smallest display segment and provides information on how much of the 55-hour power reserve still remains. The subsidiary seconds dial is arranged on the auxiliary dial at 8 o’clock. Within the scope of stop time measurement, the peripheral tachymeter scale makes it possible to determine average speeds over a distance of 1,000 metres.

Subtly nuanced colour composition

In the limited 950 platinum edition, the characteristic design makes its debut against a rhodié-coloured background. The grey auxiliary dials, the luminous hour and minute hands, the blued rattrapante hands alongside the red accents in the section housing the hour and minute counters as well as the UP/DOWN display create a harmonious interplay of contrast, functionality and technical aesthetics.

The case boasts a diameter of 43.2 millimetres and a height of 15.6 millimetres. The technical-elegant colour composition of a cool-toned platinum case, rhodié-coloured dial and darker, grey auxiliary dials is worn on a dark-brown alligator leather strap with a platinum deployant buckle.

A dedicated manufacture calibre with trailblazing constructions

The L132.1 manufacture calibre is emblematic of A. Lange & Söhne’s ambition to transcend horological boundaries and emphasises the manufacture’s particular competence in chronograph construction. It accommodates the one-of-a-kind triple rattrapante mechanism – a technical masterstroke in precision watchmaking. It assures that the three chronograph hands and three rattrapante hands accurately perform their respective functions – among which starting, stopping, catching up and resetting to zero. For the watchmakers, the complex choreography of wheels, levers, springs, clutches and jumpers requires the ultimate in expertise. All components of the predominantly lengthy, and in part branched switching chains must be perfectly harmonised with each other: a horological marathon that hinges on perseverance, meticulousness and precision.

The stopped rattrapante hands as well as initiating the advancement of the minute counters invariably generates friction losses in the movement. The disengagement mechanism developed by A. Lange & Söhne ensures that sufficient power can be continuously delivered to the oscillation system nevertheless. Patented in 2005, the intelligent device disengages the friction-intensive processes on the seconds arbor as well as on the minute counter arbor and thus assures precise rate stability. Because it rotates slower and hence produces substantially less friction, the hour counter arbor does not need such a mechanism.

Exceptional complexity and mechanical beauty

The sapphire-crystal caseback allows intriguing insights into the exceptional complexity and architectural depth of the chronograph movement, elaborately finished in typical Lange style. A total of 567 minute components make up a perfectly harmonised entity. The upper sides of the levers, springs and rockers are decorated with straight graining and the circumferential chamfers are bevelled. Chamfer polishing of the acute internal angles is especially demanding. Five gold screwed chatons on the bridges made of untreated German silver that are embellished with Glashütte ribbing and the hand-engraved balance cock round off the precision mechanical masterpiece: they exemplify that its finish is undeniably commensurate with its technical sophistication.

“Until today, the TRIPLE SPLIT plays in a league of its own,” explains Anthony de Haas, Director Product Development. “Behind the triple rattrapante mechanism for seconds, minutes and hours lies the L132.1 calibre that was entirely developed in our manufacture, one of our most elaborate and equally most beautiful movements. The depth of the architecture calls for the utmost expertise, patience and dexterity, creating an extraordinary bond between the watchmaker and the movement. At the same time, incorporating the mechanism into a movement height that safeguards the wearing comfort presented a challenge. Hence, this movement underscores our ambition to also consistently follow our own path in the field of chronographs.”

The new edition of the TRIPLE SPLIT will be presented during this year’s Concours of Elegance at Hampton Court Palace during the first weekend of September.

The new 1815 UP/DOWN focuses entirely on its eponymous function. Typical of many Lange watches, the display has a long-standing tradition in Saxon precision watchmaking. The AB (DOWN) marker represents the unwound movement, whereas AUF (UP) indicates the fully wound movement which provides a maximum power reserve of 72 hours.

While the power-reserve indicator is frequently paired with additional functions in other timepieces, it has the starring role in the 1815 UP/DOWN. Opposite the subsidiary seconds dial, an auxiliary dial positioned at 8 o.clock informs the wearer how long the watch will continue to run. From the mechanical point of view, the special facet of the display in the 1815 UP/DOWN is that it is not a module added to an existing calibre. Instead, it is directly integrated in the movement with a specially designed, space-saving planetary gear system. 

Hence, it reflects the pursuit of perfection championed by Ferdinand Adolph Lange, the founder of Saxon precision watchmaking, whose birth year makes up the first part of the watch name. It was his vision to build pocket watches that harmoniously combine precision, functionality and elegance.

Classic pocket watch design – contemporary colour combination

The railway-track minute scale, the easily legible Arabic numerals and the recessed central dial segment evoke memories of historic Lange pocket watches. In the two new pink- and white-gold versions, these design elements are showcased on a blue dial, endowing the timepiece with a contemporary face and thus creating a captivating contrast with the argenté-coloured auxiliary dials of the UP/DOWN power-reserve indicator and the subsidiary seconds dial with its blued hands. The lancet-shaped hour and minute hands match the respective case colour. The slender, subtly tiered bezel frames the dial that was clearly designed with great attention to detail.

The compact case diameter of 37.5 millimetres and a height of a mere 8.7 millimetres enable well-balanced proportions, resulting in the characteristic elegance of the watch. The stylish appearance is rounded off with a blue alligator leather strap in the white-gold version while the pink-gold model is worn on a reddish-brown strap.

Traditional watchmaking artistry melded with artisanal perfection

A glance through the sapphire-crystal caseback reveals the mechanical beauty of the manually wound L051.2 manufacture calibre. The characteristic elements reminiscent of historic pocket watches include the traditional three-quarter plate made of untreated German silver, the visibly integrated winding wheels embellished with solarisation as well as the seven gold chatons secured by blued screws. Beneath the hand-engraved balance cock, a classic screw balance, an indexless oscillation system and a Lange balance spring crafted in-house assure high rate accuracy.

The new model versions of the 1815 UP/DOWN will be presented at this year’s Concours of Elegance at Hampton Court Palace.

It was a milestone in modern history of precision watchmaking: in 1999, a mere five years after the launch of the first wristwatch collection following the brand’s revival, A. Lange & Söhne unveiled its first chronograph movement with the DATOGRAPH. In times when chronograph movements designed and crafted in-house were the exception, the L951.1 calibre, newly developed from the ground up, was an early indicator that it was the Saxon manufacture’s ambition to transcend horological boundaries and follow its very own path ‒ exemplified by innovative features of the timepiece which include the outsize date, the flyback function and a precisely jumping minute counter.

Select discipline: split-seconds chronographs and short-time measurement

To date, the DATOGRAPH remains the benchmark in the art of short-time measurement. Since its widely acclaimed premiere, A. Lange & Söhne has continuously expanded its expertise in the field of chronograph construction, with split-seconds chronographs occupying a special position. Across many years, the manufacture consistently evolved these, finding innovative mechanical solutions that redefined the possibilities of short-time measurement. The term rattrapante is French and designates the second “pursuing” timing hand of a chronograph. This rattrapante seconds hand can be stopped independently of the chronograph seconds hand and resynchronised with it, thus enabling comparative time measurements of up to 60 seconds with classic timepieces.

New dimensions of short-time measurement

With the DOUBLE SPLIT launched in 2004, A. Lange & Söhne built a chronograph equipped with a double rattrapante ‒ a first in the history of precision watchmaking. An additional rattrapante minute counter expanded the range of intermediate and comparative measurements from 60 seconds to 30 minutes. Whereas the DOUBLE SPLIT is already unrivalled, 2018 saw the launch of the TRIPLE SPLIT, which now represents the current pinnacle in the development of the rattrapante function. Thanks to the addition of two hour counters, the chronograph and rattrapante functions can be extended to a maximum of twelve hours.

Our proprietary movements ‒ our yardstick

Instead of adapting a basic calibre for each model, every A. Lange & Söhne chronograph is endowed with a dedicated movement, which is customised to each individual design and application. In the process of developing pioneering chronographs, the Lange engineers question existing conventions and search for innovative solutions. As early as the construction stage, technical as well as aesthetic criteria are defined that distinguish the individual appearance and personality of the timepiece. The manufacture’s chronographs are based on the following four concepts that reflect A. Lange & Söhne’s particular expertise in this category.

1. Modern-classic: DATOGRAPH and 1815 CHRONOGRAPH

The DATOGRAPH model range set new standards with regard to a modern-classic chronograph. Even at first glance, the novel, well-balanced dial configuration suggests that a totally new chronograph calibre is at work within. At 12 o’clock, the outsize date in the framed double aperture marks the tip of an equilateral triangle. The auxiliary dials for the small seconds at 9 o’clock and the precisely jumping minute counter opposite at 3 o’clock, both located below the centre axis of the dial, form its base. The same design principle, however, without the outsize date, can be found in the 1815 CHRONOGRAPH.

2. Modern-sporty: ODYSSEUS CHRONOGRAPH

To retain the characteristic dial design of the ODYSSEUS, the Lange engineers positioned both chronograph hands in the centre – the minute counter with a lozenge-shaped tip as well as the red chronograph seconds hand. Consequently, the auxiliary dials, which are conventionally arranged at 3 and 9 o’clock, could be dispensed with, and the style-defining positions of the outsize date and day of the week could be maintained.

3. Traditional-classic: 1815 RATTRAPANTE

In terms of design and construction, the 1815 RATTRAPANTE, featuring a minute counter positioned at 12 o’clock as well as central chronograph and rattrapante seconds hands, is consistent with traditional split-seconds chronographs. The pusher at 2 o’clock starts and stops the chronograph function, whereas the pusher at 4 o’clock resets the hands to zero. This concept was also implemented in multiple complications of the 1815 watch family, such as the 1815 RATTRAPANTE PERPETUAL CALENDAR and the TOURBOGRAPH PERPETUAL “Pour le Mérite”.

4. Distinctly traditional: GRAND COMPLICATION

This classic arrangement can also be found in the GRAND COMPLICATION, the manufacture’s most complicated timepiece, launched in 2013. The watch represents the fourth way of realising the chronograph function. Contrary to the other three versions, operation and mechanics are based on the mono-pusher principle ‒ in tribute to the beginnings of historic chronograph construction. With the first actuation of the chronograph pusher at 2 o’clock, the time measurement is started, and stopped with the second actuation. When the pusher is pressed a third time, all chronograph hands are reset to zero.

Chronographs with additional elaborate complications

Due to its filigreed and intricate control mechanics, the chronograph function is one of the most sophisticated complications of mechanical watches. Even more elaborate and complex, though, are the timepieces that feature additional mechanisms: each one alone represents a technical feat in itself, the combination of more, however, poses an even greater challenge. This holds true for the engineers as well as the watchmakers and finishers. In 2006, A. Lange & Söhne launched the DATOGRAPH PERPETUAL ‒ the debut of a chronograph with a perpetual calendar and an outsize date. And with the TOURBOGRAPH PERPETUAL “Pour le Mérite”,

the manufacture presented the rare and ambitious combination of a split-seconds chronograph, perpetual calendar, tourbillon and fusée-and-chain transmission. Undisputedly, the GRAND COMPLICATION represents the most impressive example in this category. It bundles a host of complications: apart from grand and small strikes, a minute repeater as well as a perpetual calendar, it is equipped with a split-seconds chronograph that additionally features a flying seconds.

“Developing and crafting chronographs has played a key role in our manufacture for more than 25 years,” explains Anthony de Haas, Director of Product Development. “Every single project increased our comprehension of this sophisticated complication and yielded new insights that were assimilated into subsequent developments. The outcome: exceptional expertise, enabling us to fully customise each chronograph movement to its applications and the individual design of the watch family.”

Japanese art has been part of the Kupferstich-Kabinett in Dresden since the time of Elector Augustus the Strong of Saxony. The exhibition “Japan on Paper in Dresden. Utamaro, Hokusai, Hiroshige and the Graphic Arts of Modernism”, running from 26 June to 20 September 2026, presents selected works from a collection comprising over 10,000 items, some of which have never been exhibited before. Iconic works by the most famous 18th- and 19th-century woodblock print artists, including Kitagawa Utamaro, Katsushika Hokusai and Utagawa Hiroshige, are on display.

Around 1900, Dresden became one of the first German centres of 'Japonism'. Expanding the museum’s collection of international modern art, particularly Japanese works, was a key priority at the time. The approximately 300 Japanese woodblock prints and books acquired during this period constitute its most notable collection.

The origins of the former 'collection of models' at the Royal Saxon School of Applied Arts also date back to this period, when it provided study materials for the training programme. Following the Second World War, the Kupferstich-Kabinett acquired most of this extensive collection. Japanese prints now constitute the largest part of the Japanese art collection held there.

Visitors to the exhibition are invited to explore the works alongside around 40 pieces by artists including Henri de Toulouse-Lautrec, Edvard Munch, James McNeill Whistler, Mary Cassatt and Emil Orlik.

“The exhibition brings together outstanding Japanese woodblock prints with works of modern art. It highlights just how closely art is connected across national and cultural boundaries. At the sametime, it becomes clear just how strongly Japanese influences have shaped international modernism. We owe our ability to convey this perspective to a wide audience in part to the support of our partner, A. Lange & Söhne. I am extremely grateful for their long-standing loyalty and their commitment to the SKD, which now spans more than 20 years,” said SKD Director General Dr Bernd Ebert.

“Admiration for Japanese art has endured since the time of Augustus the Strong,” says Wilhelm Schmid, CEO of A. Lange & Söhne. “Its distinctive aesthetic, colour palette, attention to detail and high artistic standards are recognised worldwide and have influenced artistic movements across national borders. The craftsmanship of our manufacture has also been highly valued in Japan for many years. We are therefore delighted to be able to further promote an understanding of Japanese art and cultural exchange between the two countries by supporting this exhibition.”

With its new boutique, the renowned Glashütte watchmaker A. Lange & Söhne is strengthening its position in the Portuguese market while further expanding its global sales network. The opening of its eleventh European brand boutique highlights the importance of this market, continuing a series of significant new openings around the world. Over the past year, newly designed A. Lange & Söhne boutiques opened in locations such as London, Singapore, Shanghai and Chicago.

Spanning two floors, the spacious salesrooms are situated on Lisbon‘s prestigious Avenida da Liberdade, marking A. Lange & Söhne’s arrival on Portugal‘s most distinguished luxury boulevard. Customers can enjoy personalised expert advice when selecting their desired model in a relaxed lounge atmosphere, whether they are visiting spontaneously or by appointment. A representative selection of timepieces is available to provide a comprehensive overview of the collection.

Covering an area of 141 square metres, the Lisbon boutique immerses visitors in the multifaceted world of A. Lange & Söhne. It features five separate consultation areas, including two elegant lounges designed specifically for private presentations. Carefully curated exhibits provide an in-depth brand experience, inviting guests to explore characteristic technical features, as well as its most sophisticated finishing and engraving techniques. Every detail of the boutique reflects the company founder Walter Lange's aspiration to “never stand still” and to enrich the art of watchmaking with ever more refined designs and functions.

In the reception area, guests are welcomed by a homage to Lisbon’s rich architectural heritage: the floor is designed as a Calçada Portuguesa mosaic, echoing the pavements of the Tejo metropolis. The small stones are meticulously arranged by hand in a fan-shaped pattern, an allusion to the perlage finish of Lange movement plates and bridges. This architectural detail showcases the manufacture’s exceptional ability to blend traditional craftsmanship with relentless ingenuity.

Another highlight is the “Wall of Parts”, a floor-to-ceiling installation displaying over 400 hand-finished individual components from a ZEITWERK, Lange’s progressive, mechanical digital watch. This vividly illustrates the technical complexity and finishing quality of A. Lange & Söhne timepieces. Additionally, oversized exhibits of moon discs convey an impression of the design aesthetics that extend down to the finest details, which are otherwise only visible through a loupe or microscope.

In the basement, the historic vaulted ceiling has been cleverly utilised to integrate an intimate theatre or cinema space into the boutique’s existing architecture. Framed by two brick arches, a unique screening room has been created, suitable for video presentations or exhibitions.

For Lange CEO Wilhelm Schmid, the new boutique represents a significant milestone in the company’s global sales strategy: “With our new Lisbon boutique, we are showing our appreciation for the ever-growing community of collectors on the Iberian Peninsula. The Portuguese capital is a city where our watchmaking artistry has been enthusiastically received for many years. It therefore seemed only natural for us to establish a presence here and celebrate the special bond between watch enthusiasts from the region and our watchmakers in Glashütte.”

The new A. Lange & Söhne boutique is located at Avenida da Liberdade 215, 1250-143 Lisbon.

The Concorso d’Eleganza Villa d’Este is one of the most prestigious and exclusive events for rare classic cars. Sponsored by A. Lange & Söhne for the past 15 years and held in the picturesque gardens of the historic Grand Hotel Villa d’Este on Lake Como in Cernobbio, northern Italy, this year's edition ran from 15th to 17th May and came to a grand conclusion with the presentation of the “Trofeo BMW Group – Best of Show” award. Some 50 spectacular works of art on wheels competed in eight categories in front of an international jury and an enthusiastic fan base. This year, the winner was a BMW 328 “Bügelfalte” from 1937.

A celebration of automotive culture 

During the gala dinner on Sunday evening, Wilhelm Schmid presented Stefano Martinoli with a one-of-a-kind 1815 CHRONOGRAPH in white gold, featuring a solid pink-gold dial and a hinged cuvette manually engraved with the coat of arms of the Concorso d'Eleganza Villa d'Este. With this “Como Edition”, the German manufacture expresses its appreciation for the historical masterpieces and pays tribute to their owners, who passionately restore and care for them.

A chronograph was purposely chosen as the winner's watch, since short-time measurement and motorsports share a close historical connection. The 1815 CHRONOGRAPH's movement exhibits all the typical quality features characteristic of every Lange watch, with nearly every one of the 306 individual parts carefully finished by hand in Glashütte, and assembled twice to ensure that all parts interact seamlessly.

“Thanks to A. Lange & Söhne, we have been able to offer our competition entrants a special highlight every year since 2012: the presentation of the winner's watch. We are proud of our long-standing partnership, which is characterised by a shared commitment to tradition, craftsmanship, and innovation,” says Helmut Käs, Head of BMW Group Classic and President of the Concorso d’Eleganza Villa d’Este. 

“We have been partners of the Concorso d’Eleganza Villa d’Este for 15 years. A partnership based on shared values,” emphasises Lange CEO Wilhelm Schmid. “We are united by our appreciation of technical masterpieces and craftsmanship, and our respect for the people who preserve them with passion. Just like the finest classic cars, our timepieces also tell a story of passion and a quest for perfection that transcends time and connects generations.“

Debut in honey gold 

The unique atmosphere at the Concorso d’Eleganza Villa d’Este provided a fitting setting for the presentation of a selection of timepieces that invited visitors on a journey of discovery into the world of A. Lange & Söhne. The main attraction was the CABARET TOURBILLON HONEYGOLD, a new version of the distinctive rectangular timepiece, limited to 50 pieces. Both its case and dial are crafted from 750 honey gold (HONEYGOLD®), a Lange-exclusive gold alloy, whose warm lustre contrasts strikingly with the black-rhodiumed surfaces. Boasting a relief dial, crafted in-house, which captivates with its unique sense of depth effect, and equipped with a tourbillon stop seconds mechanism, the model is powered by the manually wound calibre L042.1 – a dedicated movement with a maximum power reserve of 120 hours. 

In the new model, a case and dial in 750 honey gold play a starring role. This rare combination of Lange’s exclusive material accounts for the timepiece’s particularly noble personality. Its warm-hued lustre contrasts crisply with the black-rhodiumed dial where relief elements can be admired. An aperture at 6 o’clock draws attention to the tourbillon with stop seconds. The upper tourbillon bridge and the top side of the cage are adorned with an elaborate black polish.

Honey-gold dial manufactured in-house

The black-rhodiumed, honey-gold dial of the CABARET TOURBILLON HONEYGOLD is entirely crafted in the manufacture. It consists of three parts: the main dial as well as two auxiliary dials for the subsidiary seconds and the UP/DOWN power-reserve indicator.

Both frames, the scales and the “A. LANGE & SÖHNE” inscription were painstakingly sculpted from the dial material, making them stand out prominently as a relief with a height of 0.15 millimetres. Extreme meticulousness is applied to accomplish the exact shape and sharply chiselled contours of all elements. The precise detailing of all angles and edges sets a formidable challenge even to the most experienced finishers.

In a next step, the three dial parts are black-rhodiumed. Subsequently, the finishers carefully grind the raised elements by hand, shining the spotlight on the re-emerging lustre of the honey gold, radiant against the dark background. Then, the finely polished Roman numerals III, IX, XII, the six lozenge-shaped hour appliques and the frame for the outsize date are separately integrated in the dial. Finally, the auxiliary dials are connected with the main dial from the back. The entire process, from the first to the last step, takes several weeks.

Black polish ‒ a rare and sophisticated type of finish

An aperture in the dial affords a captivating view of the tourbillon. The artisanal virtuosity manifests itself especially in the eye-catching upper tourbillon bridge and the top side of the cage that are decorated with one of the most elaborate finishing techniques: black polish. It involves using special abrasive pastes and uniformly sliding the workpiece with just the right pressure across a tin plate by hand until the surface reflects the light like a mirror when viewed from a certain angle. And from another perspective, it has a jet-black sheen. All the acute internal angles of the cage are polished: this also requires extreme meticulousness and experience.

A small stage for great watchmaking artistry

The CABARET TOURBILLON is a milestone in the history of precision watchmaking. It was with this watch that A. Lange & Söhne introduced the world’s first stop seconds for the tourbillon in 2008. Since then, several of the manufacture’s models have been equipped with this useful additional function. The novelty in honey gold now continues this tradition. 

The then patented Lange mechanism allows stopping the tourbillon at any time with an arresting spring, regardless of the momentary positions of the balance and the cage. Only now is it possible to set the watch with one-second accuracy. While this function is standard in conventional mechanical watches, it remained an unresolved matter in tourbillon watches for a long time. The A. Lange & Söhne engineers presented the elusive solution in 2008.

A form movement ‒ sublimely finished

A glance through the sapphire-crystal caseback unveils the technical intricacy and mechanical beauty of the manually wound calibre L042.1. It is composed of 370 parts, of which no fewer than 84 are integrated in the filigreed tourbillon, weighing only approximately a quarter of a gram. It has a twin mainspring barrel that delivers a substantial power reserve of 120 hours while the balance spring operates at a frequency of 21,600 semi-oscillations per hour.

Measuring 22.3 by 32.6 millimetres, the large form movement of the CABARET TOURBILLON HONEYGOLD is tailored to the shape of the case. It is based on the rectangular CABARET model, which, since its launch in 1997, has stood for extravagance as well as for a distinctive movement philosophy.

As is the case with round A. Lange & Söhne movements, the wheel train of the manufacture calibre L042.1 is also mounted on a three-quarter plate made of untreated German silver and decorated with Glashütte ribbing. Further typical hallmarks include the manually engraved tourbillon cock and intermediate-wheel cock, screwed gold chatons, blued screws and the ratchet wheel that is embellished with solarisation.

Extravagant personality

The case measures 29.5 by 39.2 millimetres and 10.3 millimetres in height. The refined colour composition of a warm-hued, resplendent honey-gold case and a black-rhodiumed dial is complemented by the dark-brown alligator leather strap secured with a honey-gold prong buckle.  

The CABARET TOURBILLON HONEYGOLD is the 18^th Lange watch crafted in honey gold. In mid-May 2026, it will be introduced during the Concorso d’Eleganza Villa d’Este held on the shores of Lake Como.

Unmistakeable – by day and by night

In a refined manner, the LANGE 1 TOURBILLON PERPETUAL CALENDAR “Lumen” incorporates a tourbillon and a perpetual calendar into the unmistakeable design of the LANGE 1, whose off-centre dial configuration is prominent yet at the same time harmonious. The displays are arranged in the form of an isosceles triangle: an imaginary vertical line connects outsize date, retrograde day-of-week display as well as the seconds hand and the moon-phase display. The centre of the hour and minute display marks the tip of the triangle. Contrary to conventional constructions, the months are displayed on a rotating circumferential ring. The leap-year display is located in a small aperture at 6 o’clock. 

All calendar indications switch instantaneously to produce unambiguous readings at all times. The switching sequences can be conveniently handled jointly or separately with correctors on the exterior of the case. Assuming the watch runs without interruption, the calendar indications must be corrected by hand for the first time on 1 March in 2100, a secular year.

Contrast and transparency

Apart from its remarkable geometry, the design language of the LANGE 1 TOURBILLON PERPETUAL CALENDAR “Lumen” is based on two additional superordinate principles: contrast and transparency. Hence, the light-coloured, gleaming platinum case contrasts crisply with the dark dial and the black, hand-stitched alligator leather strap. On the dial, hands and appliques in rhodiumed gold and white scales against a dark background assure superb legibility. The principle of contrast is reiterated in the movement where polished light surfaces alternate with matted or darker ones. 

Simultaneously, the transparency of the dial constitutes a constructive necessity. It allows the passage of energy-rich UV light that continuously charges the luminous compound of the underlying displays and causes them to glow in the dark. The exceptional dial and the luminous elements make this timepiece into a shining example of Lange watchmaking artistry ‒ by day and by night.

Luminescence – new elegance

All displays of the LANGE 1 TOURBILLON PERPETUAL CALENDAR “Lumen” are luminous and therefore also provide unambiguous readings in the dark. The meticulously orchestrated interplay of larger and more filigreed surfaces creates an elegant, nuanced ambience of light. The implementation of each individual “Lumen”-display is based on an innovative, complex dial architecture. 

The radiant highlight, the luminous outsize date, makes the sophisticated mechanism consisting of a tens cross and a units disc visible in the dark. Moreover, the first luminous moon-phase display with an integrated day/night indication premieres in this watch. A celestial disc that rotates clockwise once during 24 hours forms the backdrop for the lunar orbit. During the day, a light sky without stars can be perceived ‒ at night, a dark sky studded with a multitude of luminous stars. In front of the celestial disc, the precise waxing and waning of the earth’s companion can be observed while it slowly traverses the sky. The display deviates from the true position of the moon by only one day after 122.6 years.

The leap-year display at 6 o’clock is also coated with a luminous compound, resulting in the same pronounced two-dimensional intensity of the outsize date. The hands indicating the hours, minutes, seconds and day of the week, as well as all scales, appliques and contours of the moon, are significantly more delicate in terms of their luminescence.

Artisanal virtuosity made visible

Thanks to the semi-transparent dial, the movement with its complex calendar mechanism and cornucopia of meticulously finished individual parts can be admired. For instance, the large plates decorated with perlage, the bridges with artistic solarisation, the levers adorned with precise straight graining as well as the toothed wheels embellished with circular graining can be appreciated close-up. Together with the chamfered edges, they are testament to the high standards with regard to artisanal finish. Additionally, the colour palette of the materials deployed provides aesthetic accents.

Tourbillon – beyond precision

On the dial side, only a subtle inscription at 12 o’clock offers a clue as to which grand complication lies concealed within the LANGE 1 TOURBILLON PERPETUAL CALENDAR “Lumen”: the tourbillon. Only at a glance through the sapphire-crystal caseback, the refined mechanism is revealed in all its technical splendour. Once a minute, the filigreed carriage rotates about its own axis, thus compensating for the influence of gravity on the balance with eccentric poising weights. Combined with the balance spring crafted in-house, it guarantees the ultimate in precision. Both components are perfectly matched and assure superior rate accuracy of the movement that operates at a frequency of 21. 600 semi-oscillations per hour.

The stop-seconds device allows to immediately halt the balance within the tourbillon cage at will by pulling the crown. This makes it possible to set a tourbillon watch with one-second accuracy, thanks to a sophisticated construction with a V-shaped arresting spring for which the manufacture was granted a patent in 2008.

Extreme complexity – peerless finish

Down to the last detail, the new self-winding manufacture calibre L225.1 was developed in accordance with the highest standards to which A. Lange & Söhne is committed. Its constructive complexity makes it possible to unite a tourbillon, perpetual calendar and a moon-phase display – and to furthermore equip the watch with functional particularities such as a stop-seconds mechanism and the outsize date. The refined composition of lavish decorations emphasises the manufacture’s quest for perfection.

The artisanal virtuosity manifests itself especially in the tourbillon cage as well as the tourbillon cock and the intermediate-wheel cock. They are crafted from stainless steel and exhibit one of the most elaborate finishing techniques: black polish. This technique involves using special abrasive pastes and uniformly sliding the workpiece with just the right pressure across a tin plate by hand until the surface reflects the light like a mirror when viewed from a certain angle. And from another perspective, it has a jet-black sheen. All the edges are chamfered and polished. One of the greatest challenges is finishing the internal angles: this requires extreme meticulousness and a steady hand.

A central rotor, crafted from 18-carat white gold (750) for the first time, bears the A. Lange & Söhne signature and assures efficient winding. The external centrifugal mass in 950 platinum provides additional momentum, making a maximum power reserve of 50 hours available after only a short time on the wrist. The rotor also adopts the design principle of colour contrast, implemented in the dark, black-rhodiumed central segment and the lighter surface of the centrifugal mass.

Furthermore, the tourbillon cock and the intermediate-wheel cock are embellished with small stars and a shooting star. They are engraved by hand and then circumspectly polished, creating a richly contrasting transition between the matted surroundings and the gleaming engravings. In the centre of the tourbillon, a diamond endstone secured by a screwed gold chaton provides another striking focal point. The traditional element that A. Lange & Söhne once equipped the most precious 1A-quality pocket watches with represents the lustrous highlight of this precision mechanical masterpiece.

With a case diameter of 41.9 millimetres and a height of 13.0 millimetres, the LANGE 1 TOURBILLON PERPETUAL CALENDAR “Lumen” is worn on a black alligator leather strap with a deployant quick-lock buckle in 950 platinum. Limited to 50 watches, the edition will be presented at Watches and Wonders 2026 in Geneva.

The A. Lange & Söhne design team once again focused on superb legibility in the new SAXONIA ANNUAL CALENDAR. The most important information – time and date – can be easily perceived at first glance. The auxiliary dial at 9 o’clock displays the day of the week, and its counterpart on the right-hand side shows the current month. Framed by the seconds display at 6 o’clock, the earth’s companion moves across a star-spangled nocturnal sky.

The precision of the moon-phase display is exemplary of the manufacture’s aspiration: it needs to be corrected by one day only after 122.6 years. The lunar disc in 750 gold is treated with a deep-blue coating process and with the 428 stars, a miniaturised image of the Milky Way is produced.

The calendar display of the SAXONIA ANNUAL CALENDAR is programmed to advance correctly at the transition from the last day of each month to the first day of the next month. It automatically recognises which months have 30 and 31 days. The display must be adjusted only once a year: either from 28 February ‒ or in a leap year from 29 February ‒ to the first day of March.

The mechanism designed by Lange is particularly user-friendly: all calendar indications and the moon-phase display can be separately adjusted with individual correctors or collectively advanced with a convenient pusher at 10 o’clock.

Mechanical complexity – lucid design

The SAXONIA ANNUAL CALENDAR is characterised by its lucid design, endowing the multitude of calendar information with a timeless aesthetic appeal. The elegant appearance of the watch is further underscored by the delicate minute scale, the baton appliques and the prominent lancet-shaped hands.

The lucid dial configuration is the result of a considerable design effort, with the objective of merging the many meticulously harmonised details. These comprise the auxiliary dials, slightly bevelled inward, for the day of the week, month and subsidiary seconds. The circumferential rings exhibit a filigreed azurage, whereas the inner surfaces boast a more prominent version of the same decoration technique. This creates a reflecting surface that intensifies the three-dimensional effect of the dial. The only exception is the subsidiary seconds dial where the inner section is also embellished with the more filigreed azurage, counterbalancing the elaborate and richly detailed moon-phase display. The baton appliques were also redesigned: now, the peripheral end is reminiscent of a pyramid.

A new self-winding movement

The harmonious design of the SAXONIA ANNUAL CALENDAR and the high standards with regard to the artisanal finish extend into the interior where a new self-winding manufacture movement breathes life into the watch. The technical attributes of the L207.1 calibre include a unidirectional winding central rotor with a centrifugal mass in 950 platinum as well as a classic screw balance that operates at a frequency of 21,600 semi-oscillations per hour. When fully wound, the mainspring barrel assures a maximum power reserve of 60 hours.

In line with the Lange philosophy, all components of the movement that was assembled twice are lavishly finished. In contrast to the understated dial design, a glance through the sapphire-crystal caseback reveals the opulent beauty of Saxon precision watchmaking, originating from the Royal Saxon Court in the 19^th century. Hence, traditional elements such as the hand-engraved balance cock, delicate surface polishes and other finishing techniques as well as screwed gold chatons are emblematic of this historic link from which the name of the watch family is derived: SAXONIA.

An eminent sense of style

With a modest diameter of 36.0 millimetres paired with a height of 9.8 millimetres, the well-proportioned case assures a snug fit on the wrist and can be slipped under a shirt cuff. The sleek lugs and slender bezel emphasise the understated, stylish face of the timepiece.

Two strong personalities

The new material and colour combinations account for the striking and elegant appearance of the SAXONIA ANNUAL CALENDAR. The warm lustre of the pink-gold version complemented by a cool-toned grey dial creates a captivating contrast, while the combination of white gold with an argenté-coloured dial expresses understatement. Hands and appliques that perfectly match the case round off the well-balanced design. Both models are worn on a hand-stitched alligator leather strap secured with a Lange prong buckle in pink or white gold.

Lange’s Shanghai flagship boutique has been artfully designed as a space devoted to German fine watchmaking culture. Drawing deeply from the brand’s homeland of Saxony, Germany, the boutique concept preserves the building’s historic character while incorporating a German minimalist aesthetic. This creates a composed and sophisticated ambience that reflects Lange’s strict adherence to precise proportions and meticulous craftsmanship. The two-story space invites watch enthusiasts to discover a representative selection of timepieces, including flagship boutique exclusives and limited editions.

Visitors of the A. Lange & Söhne Shanghai flagship boutique are greeted by an eye-catching window display featuring a moving installation, inspired by the numeral disc elements of the ZEITWERK calibre. The welcome area also provides a platform for showcasing the six Lange watch families: LANGE 1, SAXONIA, 1815, RICHARD LANGE, ZEITWERK, and ODYSSEUS. In addition, a special exhibition featuring models from the 1815 watch family, historical pocket watches and a digital “History Wall” allows deeper insights into the 180-year history of Saxon fine watchmaking. Building a bridge between tradition and modernity, Lange’s highly innovative ZEITWERK timepiece is on display, alongside a “Wall of Parts” offering a comprehensive view of the movement’s 451 individual components.

En route to the first floor, the staircase walls are adorned with a collection of enlarged and three-dimensional moon discs that illustrate the intricate moon phase mechanisms featured in various Lange watches. The interplay of light and shadow creates a poetic transition to the next space. The first floor is home to a more private, exclusive VIP area, where collectors can explore Lange’s intricate mechanisms, such as perpetual calendar and chronograph functions, in depth. A bar provides a relaxed setting for deeper conversation in a more casual atmosphere, offering Saxony‘s warm hospitality. 

From the comprehensive overview of Lange’s artistry and history on the ground floor, to the in-depth exploration of precision complications on the first floor, not to mention the multiple VIP areas and curated experiences, the flagship boutique takes its guests on an immersive journey into the heart of Saxon fine watchmaking. Furthermore, it offers watch enthusiasts a home that connects them to the Glashütte manufacture while creating an intimate and elegant atmosphere in which they can share their passion for watchmaking with the Lange community.

“When we look at the heritage in which our craftsmanship is rooted, it becomes clear that Ferdinand Adolph Lange's vision to create the world's finest watches is still very much reflected in the way we build our timepieces today”, says Lange CEO Wilhelm Schmid. “His great-grandson Walter Lange shared this vision when he revived A. Lange & Söhne on 7 December 1990 – the very same day on which Ferdinand Adolph Lange founded his manufacture 145 years earlier. Walter Lange built on his ancestor’s achievements, and we are delighted that our flagship boutique in Shanghai allows us to impressively demonstrate to watch enthusiasts what his motto ‘never stand still’, which still guides us today, truly means.”

A. Lange & Söhne has a particularly close relationship with the Royal Cabinet of Mathematical and Physical Instruments, dating back to the early days of Saxon precision watchmaking. With its masterfully crafted timepieces and scientific instruments, the royal collection became a source of inspiration for the young Ferdinand Adolph Lange around 1830. This hub of innovation fuelled his desire to build the finest watches in the world. When he founded his watch manufacture in Glashütte in 1845, he turned this dream into reality and established a tradition that A. Lange & Söhne continues to uphold and develop to this day.

Presentation of the first watch collection at Dresden Royal Palace

One of the most important milestones shared by the manufacture and the SKD is 24 October 1994: on this day, at the Dresden Royal Palace, the headquarters of the SKD, A. Lange & Söhne presented the first four wristwatches of its new era, including the LANGE 1. In 2006, the already close partnership was formally established with a written contract. The six-year restoration of the Royal Cabinet of Mathematical and Physical Instruments, sponsored by A. Lange & Söhne, and its reopening in 2013 gave new visibility to the aspiration to preserve the traditional connection between watchmaking and science as cultural heritage.

Education, promoting young talent and cultural mission

In 2015, the SKD special exhibition “Simple and Perfect. Saxony’s Path into the World of International Watchmaking” offered fascinating insights into the remarkable life’s work of Ferdinand Adolph Lange. With exhibits from the world of A. Lange & Söhne, some of which had never been shown before, and historical Lange pocket watches, the exhibition shed light on the early history of Saxon watchmaking and highlighted the shared cultural mission of the manufacture and the museum association. This is also reflected in the Royal Cabinet of Mathematical and Physical Instruments’ “Lernort” (learning centre). The funding project, which focuses on natural sciences, teaches young people about technical concepts in a visually appealing way and encourages curiosity and a spirit of inquiry – a cause to which A. Lange & Söhne is also particularly committed as a company that provides vocational training.

2026 exhibition projects: art in international dialogue

A. Lange & Söhne will continue to support the realisation of outstanding SKD projects throughout the 2026 exhibition year. In addition to the Royal Cabinet of Mathematical and Physical Instruments’ learning centre, this also includes the exhibitions “Paula Modersohn-Becker and Edvard Munch. The Big Questions of Life” from 8 February to 31 May 2026 at the Albertinum, and “Japan on Paper in Dresden. Utamaro, Hokusai, Hiroshige and Modern Graphic Art” from 26 June to 20 September 2026 at the Kupferstich-Kabinett (Collection of Prints, Drawings and Photographs).

“For the past 20 years, A. Lange & Söhne and the SKD have enjoyed a close and vibrant partnership. We share an appreciation of the highest standards of craftsmanship, as well as a commitment to art and culture. Both institutions are dedicated to showcasing Saxon precision and a passion for excellence around the world. Against this backdrop, we are extremely grateful that this valuable collaboration will continue for another five years,” said Dr Bernd Ebert, Director General of the Dresden State Art Collections.

“Our partnership with the SKD is more than just about celebrating history and traditions,” emphasises Wilhelm Schmid, CEO of A. Lange & Söhne. “Rather, we believe it is important to make our shared cultural heritage accessible to future generations, as it offers us all inspiration and impetus in many ways. The SKD makes an outstanding contribution to this.”

A. Lange & Söhne, the renowned Glashütte watchmaking manufacture, has opened its newest U.S. boutique in Chicago. Located at 435 Michigan Avenue, the boutique re-establishes the brand's retail presence in the U.S. Midwest and underscores A. Lange & Söhne’s ongoing commitment to discerningly developing its global boutique network. The design of the new boutique exemplifies the watchmaker’s philosophy to ensure an exclusive and intimate experience for every client interaction and encourages unhurried exploration of the brand’s mechanical masterpieces. The boutique will display a full assortment of A. Lange & Söhne timepieces.

As the ninth A. Lange & Söhne point of sale in the U.S., the new boutique in Chicago continues the brand’s retail evolution in the region and joins several recent notable A. Lange & Söhne openings worldwide, including new flagship boutiques in London, Singapore and Shanghai. Each of A. Lange & Söhne’s carefully selected global boutiques provides a refined setting for visitors to examine heritage, craftsmanship and design through the lens of German fine watchmaking.

“Each timepiece in our collection reflects a familial bond between our watchmakers and collectors, one that is best experienced by putting a Lange watch in one’s hands and on one’s wrist,” says Wilhelm Schmid, CEO, A. Lange & Söhne. “Our boutiques are designed to share our watches and unique brand story with each customer, and to capture the skill, determination and imagination used by our watchmakers in Glashütte as they work by hand to perfect every detail of the watch for its owner.”

Spanning 1,409 square feet (131 square meters), the boutique in Chicago with its meticulously designed retail space immerses visitors into the world of A. Lange & Söhne. It features three distinct client seating areas, including two well-adorned lounges, designed specifically for the private viewing of A. Lange & Söhne timepieces. Throughout the boutique, bespoke installations and brand experiences enable guests to discover intricate brand details such as the mechanical marvel of the ZEITWERK, the technical artistry of the Lange tourbillon, and the exquisite finishing techniques applied by hand to every Lange watch movement. Every detail of the boutique reflects the Saxon manufacture’s vision of fine watchmaking as an understated expression of contemporary luxury.

The boutique finds its distinguished home within Tribune Tower, the former headquarters of the Pulitzer Prize-winning Chicago Tribune. Having just celebrated its centennial in 2025, Tribune Tower serves as a Chicago River side luxury retail anchor for the revitalized “Magnificent Mile,” positioning A. Lange & Söhne at the forefront of the evolving future of the city. The Tribune Tower’s history, continuing dedication to craft, and power to inspire the imagination resonate deeply with Lange and complement its heritage and core values. A particularly poignant connection lies in the building’s façade, which incorporates nearly 150 artifacts of famous world architecture collected by correspondents of the Chicago Tribune in the 19th and 20th centuries, including a piece of the Berlin Wall added in 1990. This date holds profound significance for A. Lange & Söhne, as it was in 1990, directly following the fall of the Berlin Wall, that Walter Lange re-established his family’s manufacture in Glashütte, marking a pivotal moment in the brand’s modern history.

“We’re thrilled to make the historic Tribune Tower our home in Chicago, and the opening of our new boutique marks an important milestone for our retail network in the Americas,” says Charles Langlois, A. Lange & Söhne Brand President, Americas. “Chicago is a world class destination for watch enthusiasts, and we look forward to inviting them to discover our unwavering commitment to precision, tradition, and timeless elegance.”

As A. Lange & Söhne continues its journey of horological excellence, the opening of a new boutique in Chicago stands as a testament to its dedication to creating enduring masterpieces, and to never stand still. Or, in the words of writer and art critic John Ruskin permanently inscribed into the floor of the Tribune Tower lobby: "When we build, let us think that we build forever. Let it not be for present delight nor for present use alone."

From 8 February to 31 May 2026, the special exhibition “Paula Modersohn-Becker and Edvard Munch. The Big Questions of Life” will showcase an unprecedented large-scale comparison of the works of both artists, who are considered pioneers of Expressionist Modernism and whose art remains highly relevant to this day.

Paula Modersohn-Becker was born on 8 February 1876 in Dresden, one year after Ferdinand Adolph Lange, the founder of Saxon precision watchmaking, passed away. Within a short period of time – she was only 31 when she died – she made rapid artistic progress and developed a completely unique visual language. The same can be said of Edvard Munch, who was born in Norway in 1863 and is also considered one of the most important artists of the 20th century. Over the course of six decades, he created a vast body of work that includes numerous seminal modernist pieces.

Two expressionists in dialogue

The exhibition illustrates how Modersohn-Becker and Munch found innovative artistic answers to the existential questions of their era – ranging from birth to death – in their expressive paintings. From the 1890s until Modersohn-Becker’s premature death in 1907 and Edvard Munch's return to Norway from Germany in 1908, these answers were presented in numerous works.

Around 1900, the term “life” experienced a period of great popular interest, emerging as a counterpoint to convention, stagnation and meaninglessness. The word evoked a sense of dynamic immediacy, renewal and youth. Modersohn-Becker and Munch became seismographs of their generation. Their paintings bring together two worlds, different temperaments and perspectives, which nevertheless have much in common.

“Questions about the meaning and cycle of life are timeless. The universal imagery that Modersohn-Becker and Munch found for this purpose is still relevant today. Our partner A. Lange & Söhne also stands for a timeless language of form and design. We are extremely grateful for the support of this special project and the long-standing commitment to Saxony's cultural heritage,” said SKD Director General Dr. Bernd Ebert.

“This exhibition showcases the unique artistic journeys of two individuals who consistently pushed the boundaries,” says Wilhelm Schmid, CEO of A. Lange & Söhne. “This aspiration also underpins our own identity as a manufacture. Through their exhibitions, the SKD demonstrate how art can connect people across time and space.”

In several respects, 7 December represents a memorable day for A. Lange & Söhne. In 1845, Ferdinand Adolph Lange laid the cornerstone for German precision watchmaking in Glashütte on this very day. Yet it is also the day of the courageous fresh start that his great-grandson Walter Lange made ‒ in 1990, the year of German reunification. 35 years later, on the significant date of 7 December 2025, A. Lange & Söhne now launches the new LANGE 1 DAYMATIC HONEYGOLD, limited to 250 watches.

Familiar face – mirrored design

Introduced in 2010, the LANGE 1 DAYMATIC is unmistakeably a LANGE 1, yet offers a new perspective on the style-defining design that was awarded multiple prizes. The off-centre dial configuration of the manually wound LANGE 1 graces the LANGE 1 DAYMATIC as well, but the dial is a mirror image of the original: the hour and minute display is positioned on the right-hand side of the dial, the subsidiary seconds dial and the outsize date on the left.

Contrary to the classic LANGE 1, the LANGE 1 DAYMATIC is not equipped with a power-reserve indicator, but with a retrograde day-of-week display on the left periphery of the dial. This calendar function complements the characteristic outsize date and simultaneously underscores the individuality of the timepiece within the watch family.

Harmonious proportions – rare colour combination

The case of the LANGE 1 DAYMATIC HONEYGOLD exhibits balanced proportions and harmonious lines. With a diameter of 39.5 millimetres and a height of 10.4 millimetres, it assures a snug fit on the wrist and can be slipped under a shirt cuff. Subtly reworked, the lugs and bezel give the watch its particular air of lightness.

The fusion of a honey-gold case with a brown dial in 925 silver account for the unique and elegant appearance of the timepiece. Its radiant lustre is reflected in the hands, appliques and frame of the outsize date. Moreover, the dial offers a variety of expressive details, such as, for instance, the slightly recessed hour and minute circle that intensifies the three-dimensional effect of the dial. The outsize date is depicted in white numerals against a brown background ‒ a perfect match for the dial colour.

The LANGE 1 DAYMATIC HONEYGOLD is worn on a taupe-coloured, hand-stitched alligator leather strap secured with a buckle in solid honey gold.

Traditional design – sophisticated architecture

The balanced design and artisanal finish of the LANGE 1 DAYMATIC HONEYGOLD extend into the interior of the watch where its heart, the lavishly finished self-winding manufacture calibre L021.1, beats reliably. Its individual architecture is inspired by tradition and assures superb precision with a view to adjustment and assembly. This includes, for instance, the four separately screwed plates that visually constitute a classic three-quarter plate in the fully assembled movement.

Efficient winding and delivery of a constant force are assured by a large central rotor extending across the entire diameter of the movement. Its central segment in 875 gold (21 carats) is embossed with the “A. Lange & Söhne” signature and its centrifugal mass is made of 950 platinum.

The colourful composition of warm-hued gold, cool-toned platinum and cornflower-blue screws makes the rotor an eye-catching focal point of technical elegance. The four slender spokes cushion the heavy rotor in the case of shocks and protect the movement against high strain. When fully wound, a power reserve of 50 hours becomes available.

Typical Lange finissage

Further typical Lange quality hallmarks of the dedicated movement include an indexless oscillation system featuring a large balance wheel with eccentric poising weights, and a balance spring developed and crafted in-house that beats at a frequency of 21,600 semi-oscillations per hour. As is the case with all Lange calibres, the 426-part L021.1 movement is assembled twice and endowed with many traditional elements. The elaborate finissage of all components complies with the manufacture’s strictest standards regarding artisanal perfection. Traditional features such as the hand-engraved balance cock, Glashütte ribbing and screwed gold chatons provide fascinating highlights that can be admired through the sapphire-crystal caseback.

“With its distinctive design, sophisticated manufacture movement and artisanal finissage, the LANGE 1 DAYMATIC HONEYGOLD presents itself as a timepiece with a strong personality for aficionados of self-winding watches,” reflects Anthony de Haas, Director of Product Development. “Its exclusive case material and the rare colour combination make it into an elegant classic with a high recognition value.”

A. Lange & Söhne has unveiled its newly transformed Singapore flagship boutique at ION Orchard, raising the bar on how to experience the manufacture’s watchmaking artistry. Opened in October 2025, the premises now span two storeys at Singapore’s premier luxury shopping destination. As the largest A. Lange & Söhne boutique in the Asia-Pacific region, the flagship boutique introduces fresh concepts that are designed to immerse connoisseurs in the intricate world of A. Lange & Söhne.

Since first opening its doors in 2012, the Singapore boutique at ION Orchard has been offering watch lovers a space to explore the manufacture’s exquisite timepieces, which are characterised by tradition, innovation, elegance, and the highest level of craftsmanship. Following its first major renovation in 2019, the flagship boutique has once again undergone a remarkable transformation and has been relocated within the shopping centre.

Spanning 211 square metres, the boutique blends modernity and tradition – an architectural reflection of the manufacture’s philosophy to “never stand still”. A particular highlight of the boutique is the 9-metre-high “Wall of Parts”, which showcases all 451 parts of the ZEITWERK movement and connects both storeys. Its impressive height allows for a complete view of the watch’s individual components, from below the staircase, while ascending the stairs and from the upper level.

In the welcome area, a digital “History Wall” enhances the introduction to the brand’s rich heritage. Vitrines showcasing models of all watch families, as well as curated historic pocket watches, emphasise Lange’s craftsmanship. The manufacture’s visual identity unfolds in stately black and grey tones, offset by soft white walls, textured finishes, and plush furnishings. The spatial layout organically guides customers through the reception and consultation areas. Meanwhile, a discreet bar behind the sales counter offers a private space where customers can try on timepieces in comfort.

A sweeping staircase leads to the upper floor, where the boutique transitions into a luxurious private area. This space comprises two sales salons, a lounge, a presentation and theatre section, as well as an exclusive watchmaking experience corner. Surrounded by elegant bookcases, objets d’art, and rare timepieces, the upper level is designed to inspire conversation and discovery.

“We are delighted to welcome watch enthusiasts to our new flagship boutique at ION Orchard. This location not only represents a milestone in our retail journey, but also beautifully articulates our motto “never stand still”. At A. Lange & Söhne, we are constantly innovating– both through our watches, as well as with the experiences that we offer – for watch lovers and Lange enthusiasts here in Singapore and across the region,” says Wilhelm Schmid, CEO of A. Lange & Söhne.

A. Lange & Söhne is strengthening its presence in the UK market with an exclusive, four-storey flagship boutique in London, located on Old Bond Street, one of the world’s most prestigious shopping streets in the heart of the elegant Mayfair district. Whether spontaneously or by appointment, clients can receive expert and personalised advice when choosing their desired model amidst a relaxed atmosphere and luxurious ambience. To provide them with a comprehensive overview of the collection, a representative selection of timepieces is available, including boutique-exclusives and limited editions.

The timeless elegance associated with A. Lange & Söhne is already reflected in the striking dark grey colour scheme of the historic façade. Upon entering the ground floor, visitors are greeted with an engaging introduction to the brand's unique history and its six dedicated watch families. This level also features a sophisticated lounge, seamlessly blending traditional London club aesthetics with a contemporary A. Lange & Söhne environment, bathed in natural light from a captivating sky window. Ascending the first set of stairs, the focus shifts to the intricate artistry within each timepiece, highlighting the delicate small parts that define each Lange watch: In this case, several hundred hand-finished movement components of a ZEITWERK, Lange’s award-winning mechanical digital watch, are displayed. The first floor offers a more in-depth exploration, showcasing complicated movements and allowing for a deeper appreciation of Lange’s horological mastery. Further ascent reveals a second set of stairs, continuing the focus on watch components with an impressive collection of enlarged moon disks.

The journey culminates on the second floor, where a bespoke lounge waits to warmly welcome clients. Its interior design thoughtfully references the Mayfair environment, offering a completely new and exclusive setting. Additionally, a dedicated watchmaker is featured on the third floor, further enhancing the client experience with direct insights into Lange’s watchmaking craft. After New York, Dubai, Shanghai, Singapore, Hong Kong, Tokyo, and Frankfurt, A. Lange & Söhne Old Bond Street is the eighth flagship boutique of the German manufacture.

For Lange CEO Wilhelm Schmid, the company’s new flagship boutique is an important milestone in its global sales concept: “We are excited to be opening our new flagship boutique in such an incredible location and look forward to welcoming our London customers as well as watch enthusiasts from all over the world. The club-style lounge is a friendly nod to the ever-growing community of A. Lange & Söhne collectors in the United Kingdom. The opening of our new London premises is also a special moment for us because of our historical ties to the city, which played a decisive role in the brand’s international success in the mid-19^th century: In 1851, Ferdinand Adolph Lange presented his watches at the World Exhibition in London.”

The Audrain Newport Concours & Motor Week allows participants and fans of the global Concours d’Elegance circuit to capture the splendour of autumn in New England. Since 2023, A. Lange & Söhne has been the presenting partner of the pinnacle event of the motor week, the Audrain Newport Concours d’Elegance, in which approximately 200 vintage automobiles vie for the Vanderbilt Cup-inspired “Best of Show” trophy.

Now in its sixth year, the Audrain Concours is widely considered the pre-eminent annual Concours d’Elegance on the U.S. East Coast. This year's edition culminated with the presentation of the “Best of Show” award on Sunday, which Lange CEO Wilhelm Schmid presented to the owner of an Alfa Romeo 8C 2300 Rimoldi Corto Spyder from the year 1933. Schmid also awarded the winners of the “30 Under 30” and “Timeless Elegance” categories, awards that are in line with the German fine watchmaker’s dedication to rare craftsmanship and to developing the next generation of enthusiasts and craftspeople.

The Audrain Concours represents a key brand experience pillar for Lange in the U.S., and particularly for the regional communities serviced by its New York flagship and Boston boutiques. “Each year, Lange friends in the region generously reserve some of their precious time to join us for the event. With them comes an extraordinary energy for fine watchmaking and for our watches,” says Schmid.

At the same time, Lange recognises that its sponsorship activation provides an opportunity to showcase an assortment of limited edition, core collection and recently debuted timepieces to classic car collectors and fans as well. “If you love the craftsmanship, design and heritage on view at a world-class Concours of Elegance,” offers Schmid, “it’s not so much of a stretch to say that you might find the same joy and sense of purpose in high-end mechanical watches.”

Two new timepieces in the spotlight

A. Lange & Söhne treated this year’s visitors to its latest debuts, two special editions of the SAXONIA THIN, one in 750 honey gold (HONEYGOLD®) and the other in 950 platinum, both with a jet-black, glossy onyx dial. With its design reduced to the essence and a slender, artisanally finished manufacture movement, the SAXONIA THIN radiates pure elegance. Each of the special editions is limited to 200 pieces. “With either version, one is perfectly dressed, day and night“, says Schmid, “offering one a refined daily wear that also makes a quietly bold statement.” The addition of a set of debuts from the Glashütte manufacture reinforced the central role that elegance and craftsmanship occupy at the Audrain Concours, and the watches added to the dynamic experience and allure of an ascending player in the global classic car concours scene.

For more information on A. Lange & Söhne’s global portfolio of Concours d’Elegance sponsorships: 
https://www.alange-soehne.com/us-en/manufacture/news-and-events/passion-for-classics

The lucid design reduced to the essence describes the characteristic design of the SAXONIA THIN in a nutshell: with its two slender hands and appliques, the dial is totally focused on the indication of time in hours and minutes.

The harmonious face of the watch is the result of precisely adapted proportions. The details reveal the effort that was invested in designing the timepiece: hence, the A. Lange & Söhne designers dedicated a large part of their work to optimising the length and shape of the hands, to the intricate detailing of the baton appliques and their polished chamfers as well as to the sleek, three-part case, giving the SAXONIA THIN its characteristic air of lightness.

Rare radiance in two new colour combinations

The onyx-faced dial that graces the new model versions endows the aesthetic composition with a particularly noble appearance. Rarely used in precision watchmaking, the gemstone mesmerises with its jet-black, glossy surface. In the 750 honey-gold version, the dark hue perfectly matches the warm lustre of the precious metal. Conversely, it provides a fascinating contrast in the version of cool-toned 950 platinum, making the appliques and hands distinctly stand out against the background of the dial.

An eminent sense of style

The distinctive personality of the SAXONIA THIN is based on the design principle “Less is more”. It comes to the fore in the especially slender case in Lange’s exclusive honey gold or 950 platinum, measuring a scant 6.2 millimetres in height, paired with a diameter of 40 millimetres. Thanks to the typical curvature of the sleek lugs, the two-hand watch assures a snug fit on the wrist and can be slipped under a shirt cuff.

A black glossy alligator leather strap complements the elegant appearance of the two special editions of the SAXONIA THIN. Regardless of whether at a business meeting during the day or dinner in the evening – without fail, it expresses a sense of style.

A manufacture movement crafted to the highest standards

As is the case with every Lange timepiece, the SAXONIA THIN is equipped with a dedicated manufacture movement crafted in-house: the manually wound movement, finished to the highest standards of Lange’s watchmaking artistry, can be admired through the sapphire-crystal caseback. The technical particularities of the manufacture calibre L093.1 with a height of merely 2.9 millimetres include a flat mainspring barrel: despite its compact architecture, it boasts a maximum power reserve of 72 hours. 

Elegant design – extending into the movement

The elegant appearance of the SAXONIA THIN is reflected in even the smallest details of the manufacture calibre. “The proportion between crown wheel and ratchet wheel, the prominent shape of the stop-click spring, the arched lines of the three-quarter plate, the size of the flat-polished endpiece, even the position of the blued screws around the gold chatons are meticulously harmonised with a view to mechanics as well as to the aesthetic overall impression,” explains Antony de Haas, Director of Product Development. “With their combination of gold, ruby red and cornflower blue, the three screwed gold chatons additionally provide a striking colourful accent.”

The festival started on the 5^th of September 2025 with a performative procession through Dresden's old town. Developed by Kentridge in collaboration with the 'Centre for the Less Good Idea' in Johannesburg – which he himself established – the 'Foot Power' procession was led by artists from the Centre alongside many local actors, concluding with a shadow play on the banks of the Elbe River. Under the beam of spotlights, the shadows cast by silhouettes onto the walls of Brühl's Terrace also nod to one of the city's cultural landmarks: the ‘Procession of Princes’, completed in 1876 and located on the outer wall of the Stallhof on Schlossplatz. The 101-metre-long mural made from elaborately painted Meissen porcelain tiles depicts the history of the House of Wettin – the Saxon ruling dynasty – as a larger-than-life cavalcade.

Procession as an Art Form

The performance used the visual and political importance of the procession as an artistic motif – a form of expression that is repeated in Kentridge's drawings, films and installations. In Dresden, it evolved into a collective act of art that invited public participation and will long be remembered in the city.

An Artist Traversing Picture and Movement

Choreographed movement as a form of creative expression also features on the programme at the Albertinum in Dresden. Here, Kentridge's main opus, “More Sweetly Play the Dance”, a cinematic procession of heroes and outsiders evoking at once a parade and the Dance of Death, is presented alongside the historical 'Procession of Princes'.

The large preliminary drawings of the ‘Procession of Princes’, dating from 1869 to 1876, have been restored for the exhibition and are now on display to the public for the first time ever.  Using it as a backdrop, Kentridge's modern video installation presents an exciting dialogue between different time periods, art forms and perspectives.

The exhibition in the Dresden Kupferstich-Kabinett also connects Kentridge's theme of the procession with the electoral collections. By the artist's own request, the Kupferstich-Kabinett in the Dresden Royal Palace is dedicated to his graphic works. The ‘Centre for the Less Good Idea’ is also curating the 2025/2026 iteration of the annual Puppet Theatre Collection exhibition at Kraftwerk Mitte.

"With ‘Listen to the Echo’, we are honouring the world-famous artist across three locations in Dresden," says General Director of the Dresden State Art Collections Dr Bernd Ebert. "The exhibitions in the Albertinum, the Kupferstich-Kabinett, as well as the Puppet Theatre Collection together allow the eponymous echo to resonate far beyond the city's borders. The procession, a central motif in Kentridge's work, becomes an expression of his critical attitude towards colonialism, the culture of remembrance and his unwavering advocacy in favour of human rights. A project of this size requires powerful partners. We would like to thank A. Lange & Söhne for the generous support they have shown since our partnership began in 2006, and for their clear commitment to cultural engagement in our homeland of Saxony."

"We would like to thank the Dresden State Art Collections for bringing William Kentridge's monumental work to life in our state capital," reflects Lange CEO Wilhelm Schmid. "Dresden was and still is an important cradle of art, craftsmanship and progress. Inspired by traditional craftsmanship, Kentridge's work is defined by innovative forms of expression and the courage to forge his own path and transcend boundaries in the process. We at A. Lange & Söhne share this ambition, staying true to our motto to never stand still."

Exhibition dates:
William Kentridge. Listen to the Echo
6 September 2025 – 4 January 2026 | Albertinum
6 September 2025 – 15 February 2026 | Kupferstich-Kabinett, Dresden Royal Palace
6 September 2025 – 28 June 2026 | Puppet Theatre Collection, Kraftwerk Mitte

The Concours of Elegance at Hampton Court Palace is one of the highlights of the classic car scene in Great Britain. Since 2018, A. Lange & Söhne has been the presenting partner of this prestigious pageant for automobiles, in which around 60 rare and valuable works of art on wheels are presented in the magnificent gardens of Hampton Court Palace.

This year's edition culminated with the presentation of the “Best of Show” award on Sunday, which Lange CEO Wilhelm Schmid presented to the owner of a Rolls-Royce Phantom 1 “The Phantom of Love” from the year 1926. Schmid also awarded the winner of the “Thirty Under 30” category for his Toyota Sprinter Carib from 1983. With these awards, the German manufacturer expresses its respect for the passion and commitment to the preservation of these automotive cultural assets. Much like the mechanical masterpieces from A. Lange & Söhne, these fine automobiles epitomise the fascinating combination of engineering skill and exquisite craftsmanship that has inspired generations.

Two new timepieces in the spotlight

Another special tradition for A. Lange & Söhne is the presentation of selected timepieces, during which visitors are invited on a journey of discovery into the world of the German manufacture. This year, the spotlight was on the new 1815 TOURBILLON and the RICHARD LANGE JUMPING SECONDS that celebrated their world premiere during the Concours of Elegance and were simultaneously presented to clients at numerous events in major cities around the world.

The technically sophisticated design of the tourbillon, featuring stop-seconds and ZERO-RESET function, is given a particularly elegant face in the new 1815 TOURBILLON. The limited edition of 50 pieces is equipped with a deep black Grand Feu enamel dial crafted entirely in the manufacture.

The RICHARD LANGE JUMPING SECONDS combines technical precision with individual elegance. With the unique combination of a constant-force escapement, jumping seconds and ZERO-RESET mechanism, the timepiece continues to set standards in terms of rate accuracy and legibility nine years after its initial launch. The 750 pink-gold dial's warm hue contrasts with the cool tone of the white-gold case and gives this new edition, limited to 100 pieces, its special charm.

Those in attendance were able to appreciate how A. Lange & Söhne's watchmaking artistry is reflected not only in the technical sophistication of their movements, but also in the elaborate finishing of each individual component. For example, visitors could watch an engraver from the Glashütte manufacture engrave a balance cock – a process that makes every Lange watch, including the two new models, one-of-a-kind.

“The RICHARD LANGE JUMPING SECONDS and the 1815 TOURBILLON come from watch families deeply rooted in our watchmaking tradition and are an impressive expression of our values. It is also important for us to continue to develop this tradition and carry it into the future,” says Lange CEO Wilhelm Schmid. “Like the exquisite classic cars here at the Concours, our timepieces reflect a special passion and a quest for perfection that transcends time and borders and connects generations.”

The new special edition of the 1815 TOURBILLON puts the eponymous complication in the limelight, readily visible through the generous aperture at 6 o’clock. Through its rotation, the delicate mechanism for improving rate accuracy constantly changes the position of the balance, thus compensating for the influence of gravity on the oscillation system.

Beyond precision

The implementation of this mechanism considerably transcends the conventional solution. In their pursuit of continued evolution, the Lange engineers equipped the traditional complication with two additional functions, only to be perceived on closer inspection. The stop-seconds device for the tourbillon makes it possible to stop the watch by pulling the crown and subsequently, to precisely set the time. Simultaneously, the ZERO-RESET mechanism assures that the seconds hand instantly jumps to the zero position. Therefore, the minute hand can be precisely aligned with a minute marker.

Unsurpassed artisanship

In terms of aesthetic appeal, the 1815 TOURBILLON invites the observer on a voyage of discovery into the depths of the timepiece. The tourbillon bridge and the upper section of the cage are embellished with elaborate black polish, constituting eye-catching highlights. This technique involves using special abrasive pastes and uniformly sliding the workpiece with just the right pressure across a tin plate by hand until the surface has a mirror gloss when viewed from a certain angle. And from another perspective, it has a jet-black sheen.

Patience for perfection

The radiant appearance of the 1815 TOURBILLON results from the elegant combination of a platinum case with a jet-black, grand-feu enamel dial, crafted in the manufacture from the first to the very last step: this includes preparing the basic dial in white gold, crushing and applying the enamel pigments, multiple firing procedures and the final surface treatment. Additionally, the circular aperture for the tourbillon is chamfered by hand, a task that requires extreme dexterity to prevent damage to the enamel layer. Crafting a single enamel dial comprises more than one hundred individual procedures: unsurprisingly, it takes several weeks to complete each one of these works of art.

The immaculate surface with its intriguing depth elegantly frames the tourbillon and crisply contrasts with the flush markings and the scale that are typical of the 1815 watch family. Further traditional design characteristics include the eminently legible Arabic numerals as well as the peripheral railway-track minute scale which is reminiscent of the 19^th-century golden age of rail travel. This development strongly influenced the dispersal of mechanical precision timepieces.

A glance behind the scenes

The lavishly finished manufacture calibre L102.1 can be admired through the sapphire-crystal caseback. It features a freely oscillating Lange balance spring and a traditional screw balance that assure superb rate accuracy across the entire power-reserve duration of 72 hours. It operates at a frequency of 21,600 semi-oscillations per hour.

In the centre of the tourbillon, a diamond endstone secured by a screwed gold chaton provides a striking focal point. The traditional element that A. Lange & Söhne once equipped the most precious 1A-quality watches with represents the lustrous highlight of this precision mechanical masterpiece.

“Many of the traditional elements are legacy features of Ferdinand Adolph Lange’s pocket watches – for instance the three-quarter plate made of untreated German silver, the screwed gold chatons or the diamond endstone for the tourbillon,” explains Anthony de Haas, Director of Product Development at A. Lange & Söhne. “At the same time, the 1815 TOURBILLON is emblematic of our manufacture’s ambition to continuously evolve this tradition. Hence, our watchmakers took the tourbillon ‒ invented 200 years ago with the goal of improving rate accuracy ‒ to the next level, giving it a contemporary interpretation. Thanks to the stop-seconds device and the ZERO-RESET function, the watch not only runs with the utmost accuracy, it can also be set with superb precision.”

With a case diameter of 39.5 millimetres and a height of 11.3 millimetres, the new stylish platinum edition with its black enamel dial assures a snug fit on the wrist. It is the fifth model version of the 1815 TOURBILLON and the twelfth Lange timepiece showcasing an enamel dial. In 2014, the watch was launched in a platinum edition limited to 30 pieces as well as an unlimited version in pink gold. Its successor, the 1815 TOURBILLON HANDWERKSKUNST boasting exceptional dial and movement decorations was introduced in a limited edition of 30 watches in 2015. Three years later, the manufacture presented the 1815 TOURBILLON in platinum with a white enamel dial.

In the RICHARD LANGE JUMPING SECONDS, the spotlight is on the smallest of the three units of time, the seconds, as well as on superior rate accuracy – thanks to the eponymous jumping seconds, the constant-force escapement that assures the delivery of a uniform amount of energy and the ZERO-RESET mechanism for resetting the seconds hand to zero. The largest of three time circles is allocated to the seconds while the two smaller ones positioned below on the left and right indicate the hours and minutes. Additionally, a triangular indication at the intersection between the hour and minute circles switches to red ten hours before the power reserve is depleted, thus delivering a reminder to soon rewind the watch.

A prominent dial with historical inspiration

The well-balanced design is focused on outstanding legibility. It dates back to chronometer No. 93 crafted by Johann Heinrich Seyffert, a gifted Dresden watchmaker who in the late 18^th century established the fundamentals of precision timekeeping in Germany and also inspired Ferdinand Adolph Lange. The famous explorer and natural scientist Alexander von Humboldt was among his renowned customers ‒ he was accompanied by a Seyffert chronometer on his legendary expedition to Latin America.

Sophisticated mechanisms

Beneath the dial of the RICHARD LANGE JUMPING SECONDS, three game-changing mechanisms interact, their respective functions perfectly complementing each other: the constant-force escapement, the jumping seconds mechanism and the ZERO-RESET mechanism.

The constant-force escapement assures that the watch is powered with a constant force during the entire power reserve, resulting in superior rate accuracy. To supply the required energy, an impulse is generated every second. This impulse is also used for the jump of the seconds, exactly 60 times per minute.

The ZERO-RESET mechanism is equipped with a multi-disc clutch: when the crown is pulled, the seconds hand instantly jumps to the zero position, making time setting with one-second accuracy possible.

The choreography of the trinity of mechanisms can be admired through the sapphire-crystal caseback. An aperture in the three-quarter plate reveals how the remontoir spring of the constant-force escapement receives fresh energy from the mainspring barrel once a second and delivers this to the going train. Mounted on the escape-wheel arbor beneath a transparent bearing jewel, a rotating star controls the jumping seconds mechanism. A clear view is also afforded of the complex lever system of the ZERO-RESET mechanism and its arresting spring that blocks the balance, enabling precise time setting.

Technical and artisanal excellence

The manually wound 390-part calibre L094.1 is assembled twice and boasts many traditional elements. The remontoir spring of the constant-force escapement and the balance spring are manufactured in-house and can therefore be optimally paired with the movement.

Both hinge on insights gained by Richard Lange: the watch family’s name pays tribute to company founder Ferdinand Adolph Lange’s first-born son. With numerous discoveries and patents, he decisively contributed towards the advancement of precision watchmaking. In his capacity of watchmaker, inventor and engineer, one of his most important achievements was the development of a metal alloy for watch springs, still widely used today in precision watchmaking.

The elaborate finish of all components complies with the manufacture’s high standards when it comes to artisanal perfection. The sapphire-crystal caseback exposes the evocative composition of typical Lange quality hallmarks to view, such as the hand-engraved balance cock, screwed gold chatons, blued screws as well as the three-quarter plate made of untreated German silver which is embellished with decorations and polishing techniques.

“The RICHARD LANGE JUMPING SECONDS pairs comprehensive precision with individual elegance. On the one hand, it offers superb rate accuracy as well as quick and precise settability; on the other, our watchmakers succeeded in integrating the complex mechanisms in a confined space, thus enabling a flat architecture of elegant proportions,” explains Anthony de Haas, Director Product Development at A. Lange & Söhne. “The ensemble of colours – the case in 750 white gold and the pink-gold dial with contrasting black markings – represents a distinguishing feature of the watch.”

The dimensions of the RICHARD LANGE JUMPING SECONDS that comes in a limited edition of 100 watches remain unchanged. The case diameter of 39.9 millimetres and the height of 10.6 millimetres are a manifestation of its harmonious proportions. This timepiece is the fourth model version of the RICHARD LANGE JUMPING SECONDS, and the fourth Lange watch show-casing a pink-gold dial. It is complemented with a dark-brown leather strap and a 750 white-gold prong buckle.

The Concours of Elegance Germany at Lake Tegernsee is the new jewel in the crown of the classic car scene in Germany. After last year’s successful premiere, A. Lange & Söhne was once again the presenting partner of this prestigious beauty contest for motorised masterpieces. Around 50 of the rarest and most precious classic cars and a further 100 rarities in special exhibitions from top brands and private collections celebrated automotive history, outstanding engineering and quality craftsmanship against the backdrop of the Alpine foothills.

The event culminated on Saturday with the presentation of the ‘Best of Show’ award. Lange CEO Wilhelm Schmid presented Gerhard Huber, the owner of a 1932 Austro Daimler Bergmeister, with the coveted certificate featuring a hand-engraved balance cock made of gold-plated German silver. He also honoured Kilian Kozka, the winner of the new ‘Emerging Collectors’ category, for his 1978 Porsche 930 Turbo.

Technical refinement meets progressive design

The prestigious event provided the adequate stage for inviting the international collector community on a journey of discovery into the world of A. Lange & Söhne and highlighting the many parallels between automotive culture and watchmaking. In addition to a carefully curated selection of timepieces, the new ZEITWERK DATE in pink gold was also in the spotlight. With its jumping mechanical-digital time display and its innovative date ring, it lends a modern face to the traditional art of watchmaking. The replica of the new model variant in a giant format was an impressive and eye-catching focal point amidst the motorised elegance. It offered visitors in-depth insights into A. Lange & Söhne fine watchmaking while simultaneously emphasising the technical and aesthetic features of the new timepiece.

“After enjoying the magic of the premiere last year, we were delighted to appreciate the beauty of an emerging ritual this year. It was a great pleasure for us to be involved in the Concours of Elegance Germany for the second time as a presenting partner,” said Wilhelm Schmid, CEO of A. Lange & Söhne. “This extraordinary event is an impressive expression of our shared understanding of craftsmanship, innovation and hospitality.”

In 2009, A. Lange & Söhne took the world of precision watchmaking by surprise by launching a trailblazing watch: the ZEITWERK. Its precisely switching digital time display conceals an ingenious mechanical movement. With this disruptive approach, the timepiece appeals to aficionados of traditional watchmaking artistry who also welcome progressive concepts and unconventional solutions.

Apart from the jumping numerals mechanism, the ZEITWERK DATE introduced in 2019 is also equipped with an innovative date ring, circling the dial. It is made of printed glass, depicting the numerals 1 to 31. A small colour segment on a ring beneath the date ring performs one step exactly at midnight. Hence, the current date appears in red and, in the course of a month, it moves around the dial, completing one full revolution. At a glance, the wearer can perceive how far the month has progressed. The date can be corrected with the pusher at 8 o’clock: the switching impulse is generated when it is released.

A distinctive face

Six years after making its debut in white gold, the ZEITWERK DATE now stages an entrance in pink gold. Both versions are graced with a grey dial, elegantly showcasing the mechanical digital time indication. In the interest of optimised, logical legibility, the two apertures for the prominent hour and minute numerals are arranged from left to right on the centre axis of the dial. The indication is a paragon of precision: within a fraction of a second, the patented jumping numerals mechanism switches the numeral discs – precisely 1,440 times throughout the day.

The hour display can be advanced separately with the pusher at 4 o’clock. To enable the correction independently of the switching cycles of the movement, a clutch uncouples the hour ring from the jumping numerals mechanism with every actuation of the pusher. Similar to the date function, the switching impulse is generated when the pusher is released.

A bridge into the interior

The time bridge made of German silver is one of the most striking design elements of the ZEITWERK watch family: it offers a fitting stage for the trailblazing and, to date unique, technical concept. It is part of the movement and frames the time indication with the subsidiary seconds dial, thus creating an instantly noticeable connection between the aesthetic appeal of the exterior and the interior mechanics.

Powerful performance once a minute

Controlled by a patented constant-force escapement, the tremendous force needed to advance the time indication is delivered by an exceedingly powerful twin mainspring barrel. A fly governor absorbs the surplus energy and protects the entire jumping numerals mechanism. Precisely every 60 seconds, the constant-force escapement provides the switching impulse for the numeral discs. Positioned between mainspring barrel and balance wheel, it makes an important contribution to rate stability by assuring that the balance is powered with a consistent amount of force across the entire power-reserve duration.

“The ZEITWERK DATE gives traditional A. Lange & Söhne watchmaking artistry a distinctive, contemporary face,” explains Anthony de Haas, Director of Product Development. “Precisely at midnight, it puts on an exceptional show. Because then, all three jumping numeral discs and the date ring switch simultaneously. At that moment, a force and precision are at work that you imagine can be felt through the case.”

Manufacture calibre L043.8

The heart of the ZEITWERK DATE, the manufacture calibre L043.8, beats at a frequency of 18,000 semi-oscillations per hour (2.5 hertz). The manually wound calibre with its twin barrel and two mainsprings assures a power reserve of 72 hours. The sapphire-crystal caseback of the pink-gold case with a diameter of 44.2 millimetres and a height of 12.3 millimetres allows fascinating insights into the exquisite artisanal finish of the 516-part movement. Technical and aesthetic highlights include the ratchet wheel adorned with solarisation and engraved with the brand name, as well as the delicate constant-force escapement bridge ‒ both providing vivid accents in the harmonious composition of different materials and surface decorations.